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Reunion Blues first started making gig bags back in 1976, with a mission to deliver the highest quality, most protective bags and cases for musicians like you.

Their designers artfully craft pieces that integrate all the function that today’s musicians demand, with striking modern styling. With thoughtfully blended high tech materials with artisan craftsmanship techniques to create superior designs that will endure the tests of the road. Whether you’re just going down the street, or across the globe, our goal is to get your gear where it needs to go in perfect safety.

As the creators of the first professionally accepted gig bags ever made, they have always been about innovation, breaking the mold, and listening to you. Have an idea? We’d love to hear it. Constantly developing and testing new ideas, new construction methods, and taking their designs to the next level. From next-generation protection, sustainability to on-trend design, they always are looking for the next best thing. They also believe that every artist or player deserves access to the very best solutions for safely transporting their instruments, and offer attainable price points that work for everyday working musicians and rockstars alike.

Reunion Blues shares your passion for making music and will travel with you wherever you need to go.

Reunion Blues – designed by musicians, for musicians.

Since 2011, Pig Hog has been on a mission to make the toughest, most durable cables possible, at prices everyday musicians can actually afford.

Oh, and they have to sound good too. It’s a tall order, but we’re up to the challenge!

Crafted with love by musicians, for musicians, Pig Hog is dedicated to making sure you have great product options, with over 200+ cables, adapters, and accessories available.

Our products work well, look cool, and can stand up to a beating, which is why Pig Hog is trusted by discerning music retailers and professional and amateur musicians worldwide!

Don’t settle for those fat-free cables, plug in with Pig Hog!

The Road to the New Revolution.

Hartke first revolutionized the world of bass amplification in 1985 with the creation of a unique aluminum cone driver that produced a bass tone with far broader dynamics than had ever been heard before. Since then, we have introduced a complete line of bass gear, and introduced the Hartke sound to a whole new generation of bass players. Our success can be attributed to a long history of inspiring world-class musicians with our innovative bass speaker technology.

In the late 1970s, electronics gurus Larry Hartke and Ron Lorman began tinkering with the first prototype aluminum cone drivers. It wasn’t until 1980 that they released their first products, an aluminum cone, free edge tweeter and a 2-way bookshelf system with an eight-inch aluminum woofer, under the Hartke name.

In 1984, while Lorman was working as a stage manager and engineer at New York’s famous Bottom Line Club, the two crafted the first aluminum bass speaker cones into one of Jaco Pastorius’s old 810 cabinets. Only that single cabinet was made and shared by a lot of the players on the scene. When Jaco tried out the new cabinet, the solid, coherent low end and the extended frequency range of the mids and highs produced by the aluminum cones inspired him. As a result, Jaco began using the cabinet at all of his shows.

By 1985, the word had spread about the new quicker, clearer bass sound of Jaco’s 810 and Hartke began mass production of its first aluminum cone bass cabinet, a 4×10″ module. By 1989, Hartke developed an entire line of XL cabinets, including the 115XL, 210XL, 410XL, 4.5XL and 810XL, which have been played on stages around the world by players like Jaco, Marcus Miller, Darryl Jones, Jack Bruce, Will Lee and Garry Tallent.

While most of these models are still in production, that first Hartke/Jaco 810 now resides at Hartke‘s 34th Street Bass Lounge in New York City.

Over the years, we found that some Hartke artists liked playing our aluminum cabinets alongside a traditional paper cone cabinet. They loved the clarity of the aluminum in combination with the depth on the low end that they could only get from paper.

Fast Forward to 2005. At Madison Square Garden, Jack Bruce reunited with fellow Cream members Eric Clapton and Ginger Baker for the first time in nearly 30 years. Jack played through a pair of Hartke‘s traditional paper cone cabinets, and a classic 410XL aluminum cabinet. The inspiration for the next revolution in bass speaker technology was staring us in the face from the stage of the world’s most famous arena.

Hartke engineers began working on fusing the aluminum cones that had made our company famous with traditional paper cones. The goal was to create a new speaker that was unique, powerful and inspiring. The result was the HyDrive Series. Hartke‘s HyDrive Bass Cabinets have become the basis for the sound that world-class musicians like Victor Wooten, Billy Sheehan, Nate Watts, David Ellefson, Frank Bello and many others rely on night after night.

Today, the XL and newly-enhanced HyDrive HD cabinets are only part of Hartke‘s extensive line of bass gear, which also features the raw power of our LH, HA and TX Series Bass Amplifiers, the classic paper tone of our VX Series Bass Cabinets, countless accessories for bass and much more.

Always driving the latest innovations in speaker and amplifier technology, the Hartke revolution rolls on…

ABOUT MICHAEL KELLY GUITARS

The focus has always been to start with sound and top it off with a bold, boutique-inspired appearance. When Michael Kelly launched, we, in fact, only offered mandolins and acoustic basses. These two markets had been under served and consumers could not buy a great sounding instrument without breaking the bank. The Michael Kelly Dragonfly collection of both acoustic basses and mandolins quickly became popular and hard to get. Musicians were drawn to their decidedly custom appearance and then fell in love with their sound and performance.

By 2001, Michael Kelly Guitars added its first acoustic guitars and electric guitars. These collections have evolved and are now sold around the world. To this day, Michael Kelly remains focused on our vision statement to be “Built On Sound” and each time we put the cherry on top by giving the musician a bold look. We are proud that we do not offer the cookie cutter boring guitars that are readily available from so many brands. We know there are players that prefer classic simplicity and we very much respect that. However, Michael Kelly will continue to be the brand of choice for those that prefer something more boutique and unique.